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The tale centers on twin twelve-year-aged girls, Zahra and Massoumeh, who have been cloistered inside for nearly their entire lives. Their mother is blind and their father, concerned for his daughters’ safety and loss of innocence, refuses to let them further than the padlock of their front gate, even for proper bathing or schooling.
Some are inspiring and assumed-provoking, others are romantic, funny and just simple enjoyable. But they all have a single thing in popular: You shouldn’t miss them.
Well, despite that--this was among my fav Korean BL shorts and I Unquestionably loved the refined and soft chemistry between the guys. They were just somehow perfect together, in a way I can not quite set my finger on.
It’s now The style for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL
that attracted massive stars (including Robin Williams and Gene Hackman) and made a comedy movie killing at the box office. Within the surface, it might seem like loaded with gay stereotypes, but beneath the broad exterior beats a tender heart. It was directed by Mike Nichols (
Scorsese’s filmmaking has never been more operatic and powerful because it grapples with the paradoxes of awful Males along with the profound desires that compel them to perform dreadful things. Needless to mention, De Niro is terrifically cruel as Jimmy “The Gent” Conway and Pesci does his best work, but Liotta — who just died this year — is so spot-on that it’s hard to not think about what might’ve been had Scorsese/Liotta Crime Movie become a thing, as well. RIP. —EK
A cacophonously intimate character study about a woman named Julie (a 29-year-outdated Juliette Binoche) who survives the car crash that kills her famous composer husband and their innocent young daughter — and then tries xnxxx to cope gay porm with her reduction by dissociating from the life she once shared with them — “Blue” devastatingly sets the tone for a trilogy that’s less interested in “Magnolia”-like coincidences than in refuting The reasoning that life is ever as understandable as human subjectivity (or that of the film camera) can make it appear.
Tarr has never been an overtly political filmmaker (“Politics makes everything way too very simple and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never had a free vr porn chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is within the thrall of another authoritarian leader demonstrates both the recursive arc of the latest history, and also the full power of Tarr’s sinister parable.
Most of the thrill focused on the prosthetic nose Oscar winner Nicole Kidman wore to play legendary author Virginia Woolf, nevertheless the film deserves extra credit score for handling LGBTQ themes in such a poetic and mostly understated way.
But believed-provoking and specifically what made this such an intriguing watch. Would be the audience, along with the lead, duped by the seemingly innocent character, who sarah vandella is truth was a splendid actor already to begin with? Or was he indeed innocent, but learnt much too fast and too well--ending up outplaying spankbang his teacher?
In “Peculiar Days,” the love-Unwell grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism about the blackmarket, becomes embroiled in an enormous conspiracy when considered one of his clients captures footage of a heinous crime – the murder of a Black political hip hop artist.
The Palme d’Or winner is now such an accepted classic, such a part with the canon that we forget how radical it absolutely was in 1994: a work of such style and slickness it received over even the Academy, earning seven Oscar nominations… for a movie featuring loving monologues about fast food, “Kung Fu,” and Christopher Walken keeping a beloved heirloom watch up his ass.
Hayao Miyazaki’s environmental nervousness has been on full display because before Studio Ghibli was even born (1984’s “Nausicaä from the Valley in the Wind” predated the animation powerhouse, even mainly because it planted the seeds for Ghibli’s future), but it really wasn’t until “Princess Mononoke” that he immediately asked the dilemma that percolates beneath all of his work: How can you live with dignity in an irredeemably cursed world?